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Marina Otero’s sultry, intimate performances are part of her Recordar para vivir (Remember to Live) project, a never-ending body of work in which she is her own object of research – a process which will continue until the day she dies. By turns overwhelming, radical, surprising, baroque and untamed, the Argentinian performer invests the theatre with a vital and contradictory energy, as impudent and impulsive as it is vibrantly inventive. Kill me follows on from Love me and Fuck me: after a personal crisis, the artist receives a psychiatric diagnosis. With four dancers – also diagnosed with personality disorders – and Nijinsky, she depicts the madness of love, and mental health, in this raw and unfettered performative gesture.
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